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Do You Know Melody Gardot?
For a lot
more information on Melody Gardot, visit the Melody Gardot website. Melody
Gardot is among the most fascinating new discoveries in the music world.
Her songs offer a view into the love, loss, and heartache that all of us
know so well, and her voice offers emotions that far surpass other
songstresses in and around her genre. Hers is a voice that you would
expect from someone who has been around the block far more often than
her 23 trips.
"I've always felt like an old soul," Gardot states. "I felt like I was
40 when I was eight."
Gardot's personal history and talent are reflected in her Worrisome
Heart release, which she co-produced with Grammy-winner Glenn Barratt.
The album's memorable original compositions range from the title track's
torch-song drama to the haunted yearning of "Love Me Like a River Does."
Supported by minimalist arrangements she draws upon elements of jazz,
blues, folk and country, with expressive vocals that are both sensitive
and alluring.
"In my eyes, there's two kinds of music," says Gardot. "There's the kind
that rushes out at you, and the kind that settles in and lets you come
to it. I prefer the latter of the two. I like the idea of hearing music
in the distance; you're drawn to it and you want to know what it is. To
me, that's beautiful, that's the essence of listening to music:
discovering it. exploring it and finding those little spaces. To have it
thrown out at you almost cheapens it."
Gardot's route has been an unconventional and often arduous one. Growing
up in Philadelphia, she began music lessons at nine, and was playing
piano on the local scene by the time she reached 16, though she didn't
think of music as anything more than a pastime at the time. After being
hit by a car and severely injured when she was 19, music became a key
therapeutic element in her difficult recovery process.
"Like a lot of people my age, I grew up listening to what was popular,"
she explains. "But after the accident, I couldn't tolerate anything
above a whisper. As I couldn't listen to the music I had before, I
sought out other, quieter things. My friends gave me records, and one of
the first was Stan Getz's The Bossa Nova Years. I remember doing
physical therapy to that, being on the treadmill, trying to learn to
walk again. That kind of music became infectious for me; I would hear it
and not quite understand it at first, but then I'd go back and I'd get
it. I was learning as I was going, and so that type of music became more
and more personal for me."
Though music became an integral element of Gardot's recovery, it also
became an outlet for self-expression. While still working to regain her
mobility, she started writing her own songs for the first time. "I don't
know where everything came from, but it came," she recalls. "Something
touches me or makes an impact on me, and if I'm lucky, I can catch it
and turn it into something worthwhile."
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Last updated 20120517
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